詳細介紹：The issue of War widow rep resentation in Israeli c inema is one of t he most complex for the local industry for it seems to be uniqu e and with a very local and specific ic onography. T he war Wido w is a diffic ult character to digest . Because t his is an esp ecially painful topic in Israe l, its mod e of repres entation is almost a lways prob lematic. Gila Almagor in Tofano& amp;#39;s & amp;quot;sieg e&q uot; is one of the fir st char acters of the & amp;quo t;modern& amp;quot; war wi dows to a ppear on I sraeli cin ema screens. The human and social comple xity of the st atus of widows was not represe nted adequat ely and perso nally u ntil her c omplex and f ine appe arance in this film. It was mostly Preceded b y clich es of heroic women wh o have sacrific ed for t he nation wi th charac ters to which it was very di fficult to get attac hed, no r to th eir pers onal grief. &am p;quot;Sie ge" wa s directed by a n unknown Ital ian director of that period . Altho ugh Gilberto T ofano was brought as a professi onal director on the wi ngs of i nspirat ion made by the French N ew Wave of those year s, he ma naged to turn out a ver y excitin g work which h as caught th e Israeli w armth an d sense of social siege which surrounds the Is raeli w idows, inclu ding the grea t expectatio ns from th em and the s ocial st igmas. Tofano wrapped his l eading lady w ith lots of warmth and gave a place of hon or to Almagor 's impressi ve presence in the film. T his is without a doubt one of Almagor&a mp;#39;s best an d most accurate perform ances. The res traint in her per formance plus th e shooting and expre ssive use o f angles by Tofano a nd his soft Eur opean touch which was far off from t he aggr essive local product manag ed to pr oduce a sense of documenting an authent ic traged y with a tangible pers onal tou ch that m inimized t he national dimension . The resul t stands the test of time prou dly several d ecades after its creation.詳情